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General Literature – Drama

• 2013

• 227. Pinter and Booze

• 271. Political Play: Memory and Violence in Latin American Theater

• 362. Performing Urbanisms

• 620. Performance, Histories, Access

• 665. Adaptation and Tony Kushner

• 722. Political Theater?

• 2012

• 23. Shaw in the 1930s: Drama and Dictatorial Politics

• 58. Biopolitics of Performance

• 104. Art of the Oppressed: Global Performance and Resistance

• 169. Impossible Plays: The Limits of Modernist (Anti)Theatrical Representation

• 206. Mind, Body, and Performance: Cognitive Approaches to Theater and Drama

• 211. Performativity versus Theatricality

• 270. Clocks, Jacks, Jacquemarts: Time as Character in Early Modern Drama

• 295. Yiddish Theater and Film

• 373. Brecht Reading / Reading Brecht

• 397. Tyrants in Early English Drama

• 456. Inscription and Performance

• 478. Material Translations in Early Modern Theater

• 510. Looking Back at Beckett

• 548. American Drama Seventy-Five Years after O'Neill's Nobel Prize

• 578. Theater, Politics, and Criticism in and through Antonio Gramsci's Writings

• 684. American Indian Theater

• 753. Vanishing Acts: Performance and the Real

• 2011

• 17. One Person, Many Voices

• 82. Theater and Performance in and of Los Angeles: Alternative Archives

• 111. Twenty-First-Century Performance, Theater, Film, and Disability

• 243. Credibility and Character

• 306. Theater and Performance in and of Los Angeles: Landscapes of Body and Memory

• 342. The Spanish Comedia Rewrites the Hebrew Bible

• 559. Remapping United States Drama and Performance: From Vieux Carré to the Whiskey a Go Go and Beyond

• 723. Badiou's Theater

• 2009

• 78. Modernist Topoi in a Transhistorical Key: "Machine-Bodies," Animals, and 'Bots

• 160. Modernist Topoi in a Transhistorical Key: Genres and Translations

• 281. Drama and Lincoln

• 383. Modernist Topoi in a Transhistorical Key: (Post)Modernist Asias

• 486. Theater after Beckett

• 679. The Correspondence of Samuel Beckett

• 750. Presidents and Plays

• 2008

• 23. Staging Postmodernity: Embodiment

• 80. Novel(ist) Pairings: Beckett and Coetzee/Sebald/Naipaul

• 195. Local and Global Beckett

• 301. Drama/Performance and the Scene of Translation: The Pragmatics and Poetics of Translation in Print, on Stage, in Cyberspace

• 420. Drama/Performance and the Scene of Translation: Translation as Intervention

• 483. Staging Postmodernity: Bodies of Work

• 671. Drama/Performance and the Scene of Translation: Translation and the Migrating Text

• 2007

• 42. Something Old, Something New

• 72. Performance and Technology: Techniques of Embodiment

• 110. Playwriting in Chicago, 1950+2006

• 205. Something Borrowed, Something Blue

• 327. Testimony and Memory in Beckett

• 376. Performance and Technology: Writing and Speaking as Techne

• 415. Consuming Places: Human Geographies in Early Modern Drama

• 561. Performance and Technology: Performing Machines

• 747. New Approaches to Endgame

• 2006

• 56. Perilous Playgoing in Early Modern England

• 110. Theorizing the Performance Archive

• 150. The Empty Set: Theater and Cultural Identity beyond the Limit

• 227. George Bernard Shaw at 150: Theater, Criticism, Contemporaneity

• 270. (Re)Imaging the Performance Archive

• 389. After the Falls: Thinking Retrospectively about August Wilson, Wendy Wasserstein, and Betty Friedan

• 493. Beckett: Poetry, Verse, and Lyricism

• 521. American Women's Theater and Performance since 1980

• 589. Bodies in the Archives

• 716. The One Hundredth Year in Review

• 740. Performing Adolescence in American Theater and Dance

• 2005

• 130. Performing the Impossible I: Transcending Definition

• 194. Tony Kushner

• 297. Screening and Discussion of Shakespeare behind Bars

• 350. Performing the Impossible II: Unimaginable Enactments

• 628. Prison Shakespeare

• 657. Art and History in the Age of Globalization: René Pollesch's Theater

• 698. Performing the Impossible III: Staging the Absent-Present

• 729. Directing O'Neill

• 739. Arthur Miller

• 772. Beckett and History

• 2004

• 141. Utopian Performatives I: Gestic Dramaturgies of (Non)Identity

• 217. Modernism and the Theatrical Body

• 304. Utopian Performatives II: Performance and the Ethics of Everyday Life

• 511. Faux départs: Composer Paul Rhys on Samuel Beckett and Musical Composition

• 621. Utopian Performatives III: Embodiments as Performed Interventions

• 639. Noises On: Sonic Landscapes of the Stage

• 662. Realism and Antirealism in American Drama I

• 705. "Know Happiness": Samuel Beckett and Joy

• 721. Realism and Antirealism in American Drama II

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