Browse by Subject

General Literature – Film, Television, and Other Media

• 2013

• 35. Fantasizing Stardom

• 111. The Cinema of Marco Tullio Giordana

• 125. Translating for (and from) the Italian Screen: Dubbing and Subtitles

• 169. Serial Television across Boundaries

• 200. The Time of Cinematic Decision

• 252. Looking Out, Looking In: New Directions in Romanian Cinema

• 261. Good Objects and Their Discontents: The Berlin School and the Current State of German Film Studies

• 266. Shame

• 302. Animated Film in Eastern Europe and the Former Soviet Union

• 348. The Divided Spectators of Postcolonial Cinema

• 387. Italian Cinema: Death or Rebirth?

• 428. Environment and Media

• 479. Contemporary French Film

• 505. Queer Sexualities in African Literatures and Film

• 554. Postcolonial African Cinema

• 621. Reading, Reading Machines, and Machine Reading

• 688. Gendered Violence in African Literature and Film

• 712. Expanding Approaches to the Critical Analysis of Afro-Latin American Literature through Film

• 736. Rethinking Modernist Life Narratives: Postcolonial, Gendered, and Cinematic Perspectives

• 790. Comics, Moving Images, and Intermedial Criticism

• 2012

• 12. Transmedia Stories and Literary Games

• 18. Betrayal: The Individual and the State

• 64. Cinema, Politics, Theory

• 97. Voicing Documentary

• 233. Prosthetic or Aesthetic Re-visioning? Disability in African Literature and Film

• 246. Contemporary Italian Cinema

• 295. Yiddish Theater and Film

• 338. Media Women of the Belle Epoque

• 369. La force des femmes: Sources of Strength for Women in French-Language Literature and Film

• 378. Old Labor and New Media

• 401. The Screenplay in Literary Studies

• 445. Film and the Virtual

• 477. Postnational Readings of the Audiovisual

• 503. Queering Puget Sound

• 521. Rethinking Fascism and Communism: Eastern European Film since 1980

• 558. Lookin' at You, Kid: New Postcolonial, Ontological, and Experimental Takes on Film Subjectivity

• 573. Medium, Mediation, and Contemporary Avant-Garde Poetics

• 580. Child Soldiers in African Literature and Film: Confronting Our Assumptions

• 641. Technologies of the Real: Early Cinematic Naturalism in Norris, London, and Wharton

• 671. Health Care Systems in Literature and Film

• 716. Digital Material

• 736. Close Playing: Literary Methods and Video Game Studies

• 746. What Has Been Lost? Three Interpretations of the Current State of Spanish Cinema

• 2011

• 30. Spain's Conflict at a Screen near You

• 63. The Globalization of the Holocaust

• 111. Twenty-First-Century Performance, Theater, Film, and Disability

• 143. Narrating Life in Recent German Film

• 197. Women Filming the Real

• 199. American Indian Film

• 216. Narrating Urban Lives, (Re)Mapping Urban Spaces in Francophone Maghrebi and Beur Literature and Film

• 220. What's American about Nineteenth-Century Modernism?

• 233. Transmedia Activism

• 282. Paper as Platform or Interface

• 287. The Celluloid Classroom

• 328. Reverberations of the Past: Lost Memory in East German Literature and Film

• 346. The New Italians: Migrant, Postmigrant, and Postcolonial Writers and Filmmakers

• 370. Contemporary Italian Cinema: Mediterranean and Transnational Echoes

• 379. Neo-Romanticism and Contemporary Film

• 401. Aesthetic Realism and the Literary Cinema of Ken Kimmelman

• 446. Henry James and Alfred Hitchcock: The Men Who Knew Too Much

• 470. Narrating the (After)Life of a City: Sighting, Sounding, and Moving in Detroit

• 507. Scientific Approaches to Life: Film, Photography, X-Rays

• 560. The Cinema of Marco Bellocchio

• 595. Teaching Frenchness: The Classroom in Francophone Literature and Film

• 620A. Remembering Rohmer

• 636. Film and Revolution in Latin America and the Caribbean

• 661. A Memorial Screening: Eric Rohmer's Love in the Afternoon

• 692. Life on Pandora: Immersive Technological Narratives and Nightmares in Avatar

• 715. British Romanticism and Film

• 727. Market of Memory: Spanish Film and TV as Media for Public Debate?

• 775. Powers of the False

• 794. (In)Tolerance in Queer Cinema

• 2009

• 116. Play the Movie: Computer Games and the Cinematic Turn

• 155. The Legacy of Sergio Leone

• 264. Media Studies and the Digital Scholarly Present

• 276. Representations of Age in Spanish Cinema

• 462. Reading Women Directing, Reconceptualizing Women's Spaces in World Cinema

• 506. Theorizing the Coen Brothers

• 517. Time(s) for (Media) Theory

• 547. Cash Bar Arranged by the Division on Film

• 632. Quotation, Sampling, and Appropriation in Audiovisual Production

• 2008

• 119. Queer Uses of New Media

• 151. Voicing Silences: Representing History in Yugoslav and Post-Yugoslav Cinema

• 170. Language, Identity, and War: The Return of the Ritchie Boys

• 241. Cinema Politica

• 270. Over and Over: Multiple Plots, Multiple Voices, Multiple Views in Literature and Film

• 294. New Approaches to Social-Issue and Conflict Cinema in Contemporary Spain

• 310. Hitchcock's Vertigo at Fifty: What We Make of It Now

• 360. Smart People: Professing Literature in Contemporary American Film

• 375. A Screening of When Lincoln Paid

• 407. When Lincoln Paid: The Reintroduction of a Forgotten Film

• 461. Family Dissonance: Critiquing Familial Authority in Film and TV

• 509. Politics and South African Film: An Audience Interactive Discussion

• 514. Second Lives: Reading and Writing Virtual Worlds

• 550. Composing and Decomposing the Nation: Literature, Cinema, and the Exigent Nation-State in India

• 562. Teaching Popular Media; or, Theorizing Our Students' Pleasure

• 611. The Word and the Mind's Eye: Approaches to Radio Drama Performance and Reception

• 673. Expanded Cinema Today

• 691. Uses of the Past in Twentieth- and Twenty-First-Century Spanish Visual Arts, Film, and Literature

• 739. Whither Film Studies?

• 749. Phototextuality and the Social Body, 1865+1943

• 768. Allegories of Sexual Identity on Screen

• 801. Comic Transformations: Reading Graphic Narrative as Adaptive and Adapted Text

• 2007

• 76. Violence and Contemporary Arab Film

• 103. Reframing Vietnam: Recent Vietnamese Film and Culture

• 131. Film and the History of Technology

• 161. From Text to Territory: The Spatial Turn in Hispanic Literature and Film

• 215. Novel History, Media History

• 258. Faulkner and World Cinema

• 326. Filming the United States South

• 330. The Impact/Influence of Italian Cinema on United States Cinema

• 359. Epic Movie

• 397. A Cinema of Social Conscience: Neorealism's Legacy in New Italian Film

• 453. Reeling with Laughter: Humor on the Silver Screen

• 477. Refractions and Reflections: Cervantine Narratives in Contemporary Film

• 530. Crossing Borders, Breaking Boundaries: Transnationalism in Hungarian Film and Literature

• 542. New Romanian Cinema

• 560. The Ends of Cinema in the Digital Age

• 601. Voice as Sound: The Material Voice in Discourses on Bodies and Media

• 604. Muslims and Jews in French and Francophone Literatures and Films

• 691. African Blood, Hollywood's Diamonds: Recent Cinematic Inventions of Africa

• 2006

• 144. Screening the War Machine: Cinema, Sovreignty, Surveillance

• 256. Homecoming Narratives in Post+World War II Cinema

• 369. Literature and Film: From Page to Screen I

• 398. Reading Code

• 449. The State of Postcolonial Cinema

• 581. Occupying Forces: Cinema Culture under Military Occupation

• 603. Cosmopolitanism and Criminality

• 604. Around Cities: (Sub)Urban Cinematic Representations from France, Germany, Argentina, and China

• 628. Transformations in African Cinema: Postcolonial Encounters, Documentary, and Digitization

• 761. Literature and Film: From Page to Screen II

• 2005

• 13. The "New" Transnational Europe in Film

• 87. The Sound of Modernism: Avant-Garde Experiments with Radio, 1909+45

• 129. Rethinking German Film Studies I: Postwall Cinema

• 229. Film after Brown v. Board of Education

• 271. Political Allegory in Classical Hollywood Cinema

• 376. Cold War Postcolonialism: Intertwined Histories in East Asian Literature and Film

• 377. Rethinking German Film Studies II: Film History's Blind Spots and Oversights

• 383. The World Wide Web as Metamedium

• 450. The Doing and Undoing of Masculinity in Contemporary Spanish Cultural Production

• 461. The Korean Wave and Asian Cinema in the Global Market

• 566. Rethinking German Film Studies III: The Impact of Multiculturalism, Globalism, and the New Media

• 613. The Red Army Faction in German Literature, Art, and Film

• 664. Pillorying and Parodying Washington

• 691. David Mamet on Stage and Film

• 2004

• 57. Gibson's Passion(s)

• 242. Lyric and Media

• 486. Filmic Strategies in the Cuban Cinema since the 1990s

• 583. Bad Teaching Moments

• 626. Old Europe, New Asia: Postmodern Cinema and the Place of Nostalgia

• 649. The Rhizome and the Errant Self: Approaches to the (Neo)Medieval Narrative

• 677. Documentary Cinema, Literary Forms

• 680. Brotherly Love

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